篆隶万象-汉唐之间杂体书研究

As one kind of ancient fonts,the Miscellaneous font(Zati shu)is popular in the Han and Tang Dynasties which then gradually fade out and even vanish in the history of calligraphy.Specificly,in the world of knowledge between the Han and Tang,Miscellaneous font is somehow important.However,since the Miscellaneous font is not regarded as a kind of classic font or calligraphy,its textual record and image materials are rare today.Although it is mot regarded as treasure,the Miscellaneous font are still popular based on the background of the thought.From this point of view,the Miscellaneous font comes from ancient history,myths and legends from the incident,sharped by the ch`en wei,auspicious signs,Taoism and the impact of Western culture.In the usage and discussion model,we can see that the Miscellaneous font was thought as "all-inclusive",and in some cases it has special effects and functions because of its connection to religion.In the history of calligraphy and the theory of calligraphy,the Miscellaneous font tend to imitate specific material,which is has a connection to the Wuxiang lun in the theory of calligraphy.Moreover,the two cones from the similar sources and are full with mysterious discourse,and even the two has a phenomenon of mutual misinterpretation and generation.In the history of calligraphy,the narrative of the history of calligraphy between Han and Tang dynasties took the account of "two Wang",which represents the orthodoxy of this time.This also reflects the history of calligraphy in the Han and Tang dynasties of the change of a side,that is,"two Wang" as the representative of the "great tradition" in the later history of writing tend to replace and cover the description of the Miscellaneous font.On the basis of the historical criticism of the history of ancient calligraphy,this paper analyzes the history of calligraphy in the Han and Tang Dynasties,explores the knowledge construction of different traditions in the history of calligraphy,and clarifies the dimension of the concept of calligraphy.